Bibliography

Working class listeners

• David Vincent, The Rise of Mass Literacy: Reading and Writing in Modern Europe (Polity, 2000)
• David Vincent (with John Burnet and David Mayall), The Autobiography of the Working Class, 3 vols (Harvester, 1984, 1987, 1989)
• Paul Thompson, The Voice of the Past, 3rd edn (Oxford, 2000)
• E P Thompson, The Making of the English Working Class (Penguin, 1968)
• Jonathan Rose, The Intellectual Life of the Working Classes, 2nd edn (Yale University Press, 2010)

Life writing

• Daniel Cook and Amy Culley, Women’s Life Writing, 1700-1850: Gender, Genre and Authorship (Palgrave Macmillan, 2012)
• Laura Marcus, Auto/biographical Discourses: Theory, Criticism, Practice (Manchester University Press, 1994)
• James Olney, Memory and Narrative: The Weave of Life-Writing (University of Chicago Press, 1998)
• Susan E. Whyman, The Pen and the People: English Letter Writers 1660-1800 (Oxford, 2009)

Microhistories

• Carlo Ginzburg, The Cheese and the Worms: The cosmos of a sixteenth-century miller (Baltimore: Johns Hopkins University Press, 1992)
• Edward Muir and Guido Ruggiero, Microhistory & the Lost Peoples of Europe (Baltimore: Johns Hopkins University Press, 1991)
• John Brewer, ‘Microhistory and the Histories of Everyday Life’, Cultural and Social History (2010) 7:1, 87-109
  http://dx.doi.org/10.2752/147800410X477359

Reception theory

• Jim Samson, New Grove 2
• The Routledge Handbook on Reception
• John Butt, Playing with History: The Historical Approach to Musical Performance (Cambridge University Press, 2008)
• William Weber, The Rise of Musical Classics in Eighteenth-century England: A Study in Canon, Ritual and Ideology (Clarendon Press, 1992)
• Eric Clarke, Nicola Dibben, Stephanie Pitts, Music and Mind in Everyday Life (Oxford: OUP, 2010)

Sociologists, anthropologists and other musical ‘outsiders’

• Howard S Becker, Art Worlds (Berkley: University of California Press, 2008)
• Ruth Finnegan, The Hidden Musicians: music making in an English town (Wesleyan Press, 2007)
• Christopher Small, Musicking: the meanings of performing and listening (Wesleyan Press, 1998)

Special Editions

Rachel Cowgill and Peter Holman, Music in the British Provinces, 1690-1914 (Aldershot: Ashgate 2007)